![]() ![]() #Fairy godmother tycoon mooving violence movie#Thus, I want you to somehow compare a single, specific story (or character) from Grimm’s Fairy Tales with a particular movie (or character) from the Disney universe. I thought it would be interesting to see what might happen if you precisely and directly bring specific tales from different times into conversation. For this response, then, I want you to have a little fun with these various tales, which ARE simultaneously meant for entertainment while also being intended to intrigue and educate readers/viewers about certain moral ideas. And in class we will be watching clips from several films that work in a similar manner, taking well-known fairy tale material and offering a modern spin on it. On the date when this Blog post is due, you will be moving past the Grimms and Disney to consider how several well-known literary authors have re-imagined fairy tales for a modern audience, especially for a more mature and cynical twenty-first century reader. It may come as no surprise, therefore, that these themes are writ large in what has become the most famous series of fairy tales ever produced: the various films by Walt Disney and his company that are based upon earlier fairy tales. Grimm’s tales offer fascinating resources for considering various historical subjects from the early nineteenth century, but especially topics revolving around childhood, gender, family, class, and socioeconomic hardship. In both the German and English-speaking worlds, the most influential collection of premodern fairy tales was Grimm’s Fairy Tales, which was originally published by Jacob and Wilhelm Grimm in 1812 (under the German title of Kinder und Hausmärchen, or ‘Children’s and Household Tales’). ![]()
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